Khaila Batts (she/her) is a multidisciplinary artist whose work explores the intersections of memory, identity, and cultural narratives within the Black American experience. Born in Philadelphia and raised in Brooklyn, Batts merges traditional and contemporary techniques, blending digital collage, painting, and mixed media to create immersive visual experiences. She holds an M.F.A. in Studio Arts from The City College of New York.
Batts’s work often delves into the complexities of family dynamics, using color inversion, archival materials, and surreal compositions to challenge viewers’ perceptions. Her art creates a dialogue around race, history, and the nuances of human relationships, while her innovative use of technology—integrating smartphones and QR codes—enhances audience engagement.
Her exhibitions include notable showcases such as “Parables of the Unknown” at Jamaica Center for Arts and Learning and “Transplants” at Amos Eno Gallery, Brooklyn. She is a recipient of several prestigious fellowships, including the MASS MoCA Residency (2024) and the Wassaic Project Winter Residency (2025). Batts’s work has also been featured in various publications, including the White Columns Curated Artist Registry.